(May. 20 11:00 AM) - Happy Birthday, Judy Kuhn! Kuhn made her Broadway debut was in The Mystery of Edwin Drood. She then played Cosette in the 1987 multiple award winning Broadway production of Les Misérables brought her the first Tony Award nomination. The following year, Kuhn took on a transfer from London's West End, playing one of the main roles (Florence Vassy) in the Trevor Nunn-directed Chess, with music by Benny Andersson and Björn Ulvaeus (formerly of ABBA) and lyrics by Tim Rice. Later in 1993, Kuhn played the role of Betty Schaefer in the U.S premier production of Sunset Boulevard at the Shubert Theatre in Los Angeles. Kuhn sang the title role in the 1995 Disney animated film, Pocahontas, the film included her rendition of the song Colors of the Wind, which won the Academy Award for Best Original Song for its composers Alan Menken and Stephen Schwartz. On October 23, 2007, Kuhn returned to the Broadway Production of Les Misérables after 20 years, but this time assuming the role of Fantine.

(May. 20 10:53 AM) - According to a report by BBC News, Andrew Lloyd Webber will follow his ITV talent show SUPERSTAR with a new musical about Stephen Ward, who was linked to the Profumo scandal in the '60s that caused War Minister John Profumo to resign after an affair with Christine Keeler.

(May. 20 10:20 AM) - The revival of the Tony Award and Pulitzer Prize-winning musical comedy HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING will play its final performance today, May 20, 2012. The 50th Anniversary production will have played 30 preview and 473 regular performances at Broadway’s Al Hirschfeld Theatre (302 West 45th Street). The show has seen three leading men in the role of J. Pierrepont Finch—Daniel Radcliffe, Darren Criss and Nick Jonas. See below for photos of the three Finches and each young man's journey on the Broadway stage!

(May. 19 10:00 PM) - Looking for a quick roundup of this week's events in the theatre world? Look no further - here are some of the best articles the week had to offer!

(May. 19 7:11 PM) - Do you ever wonder what your favorite Broadway, Off-Broadway, National Tour and regional stars are doing during intermission? Thanks to NEWSIES' Andrew Keenan-Bolger (@KeenanBlogger), dedicated performers and excited fans, now you can see for yourself.

(May. 19 2:39 PM) - Today we are talking to one of the stars of the hit revival of HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING - which will be closing this Sunday after a 16-month run, so catch it while you can - who has also carved out an astonishingly accomplished resume on film and TV since her stunning, Emmy-winning small screen debut in a lead role as the young Judy Garland in ME & MY SHADOWS: LIFE WITH JUDY GARLAND - the beautiful and tremendously talented Tammy Blanchard. Touching on many of her most memorable big screen and small screen roles and sharing her experiences of working with many of her impressive co-stars and creative collaborators - Bernadette Peters, Jessica Lange, Stephen Sondheim, Arthur Laurents, Sam Mendes, and her co-star on two films, the late Brittany Murphy - Blanchard eloquently illustrates her rise to stardom and the roles and performances she has given that she is fondest of - GYPSY to BELLA to THE GOOD SHEPHERD and beyond. Additionally, Blanchard clues us in on what we can expect from her multi-episode character arc on Showtime’s hit dramedy series THE BIG C and what it was like to play such a unique and unusual character - as well as her feelings on sharing the screen (and the onscreen bedroom) with previous InDepth InterView participants John Benjamin Hickey and Brian d’Arcy James. Plus, Blanchard shares how her new role as a mom has shaped her craft and career as well as future plans post-HOW TO SUCCEED, observations on GLEE and SMASH and much, much more!

(May. 19 11:00 AM) - Today in 1946, the second Broadway revival of Showboat opened at the Ziegfeld Theatre, and ran for 418 performances. Show Boat is a musical in two acts with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It was originally produced in New York in 1927 and in London in 1928, and was based on the 1926 novel of the same name by Edna Ferber. The plot chronicles the lives of those living and working on the Cotton Blossom, a Mississippi River show boat, from 1880 to 1927. The show's dominant themes include racial prejudice and tragic, enduring love.

(May. 19 10:41 AM) - The Drama League announced yesterday, May 18, the winners for the 78th Annual Drama League Awards at the Marriott Marquis Times Square. BroadwayWorld was there and brings you photos of the gentlemen who gathered for the ceremony. See below for photos of Matthew Broderick, Ricky Martin, Blair Underwood, Andrew Garfield, John Lithgow, Christian Borle, Roger Rees, Steve Kazee, Harvey Fierstein, Michael Cerveris and more!

(May. 19 10:41 AM) - The Drama League announced yesterday, May 18, the winners for the 78th Annual Drama League Awards. BroadwayWorld was there and brings you photos of the lovely ladies at the ceremony, including Cynthia Nixon, Linda Lavin, Audra McDonald, Angela Lansbury, Stockard Channing, Celia Keenan-Bolger, RoseMary Harris, Cristin Milioti, Donna Murphy, Elena Roger and more!

(May. 19 10:10 AM) - Preview performances are underway for Roundabout Theatre Company’s Broadway premiere production of Mary Chase’ Harvey, set to open June 14, 2012. The marquee is up! See below for a first look.

(May. 19 12:30 AM) - The Ford’s Theatre Society recently announced that the Tony Award-winning musical “1776,” directed by Peter Flynn, has surpassed revenue records to become the highest grossing theatrical production since the historic theatre reopened as a working playhouse in 1968. But due to previous commitments by the actors and Ford’s Theatre, “1776” must close tonight, May 19, 2012.

(May. 19 12:30 AM) - Harvey Fierstein and Alan Menken – librettist and composer of the new crowd-pleasing musical Newsies – are interviewed on a new THEATER TALK this weekend, premiering tonight, May 19 (2012) at 8:30 PM on CUNY TV*, followed by airings Sunday 5/20 (12:30 PM on CUNY TV) and Monday 5/21 (5 AM on Thirteen, and 7:30 AM, 1:30 PM, and 7:30 PM on CUNY TV). THEATER TALK is co-hosted by Michael Riedel of the New York Post and producer Susan Haskins.

(May. 18 8:11 PM) - It's time for episode five of BWW's newest exclusive TV series - CHEWING THE SCENERY WITH Randy Rainbow! In this hilarious new edition, Randy presents his own version of Harvey, starring Harvey Fierstein, chats with Carol Channing about the SMASH season finale, and lip-syncs Patti LuPone's autobiography.

(May. 18 6:36 PM) - Signature Theatre presents the US premiere of TITLE AND DEED, a new play by Will Eno and directed by Judy Hegarty Lovett. The production, starring Conor Lovett, will run through June 17, 2012 with a May 20 opening night in The Alice Griffin Jewel Box Theatre at the Company’s new home The Pershing Square Signature Center (480 West 42nd Street between 9th and 10th Avenues). The production is presented in association with Gare St Lazare Players Ireland. Tickets for these additional performances will be $25, as part of the groundbreaking Signature Ticket Initiative: A Generation of Access. BroadwayWorld brings you performance highlights below!

(May. 18 6:32 PM) - The Public Theater's world premiere production of FEBRUARY HOUSE, with music and lyrics by Gabriel Kahane and book by Seth Bockley, is currently in previews at the Martinson Theater. Directed by Davis McCallum, FEBRUARY HOUSE runs through Sunday, June 10, with an official press opening on Tuesday, May 22. BroadwayWorld brings you perfomance highlights below!

(May. 18 4:49 PM) - The Academy of Motion Picture Arts and Sciences last night celebrated the life and career of legendary dancer, director and choreographer Gene Kelly on the 100th anniversary of his birth. Film clips, personal remembrances and an exploration of the technology Kelly used to change the look of dance on film were featured at the Samuel Goldwyn Theater in Beverly Hills, hosted by Kelly’s widow, film historian Patricia Ward Kelly. In the video beloww, Broadway favorite Hugh Jackman remembers the star from the barricades of the LES MISERABLES film set. Check out what he had to say below!

(May. 18 4:37 PM) - Voting opened on May 3, 2012 and runs through June 4, 2012 for the 10th Annual BroadwayWorld.com Awards! Here are the current standings as of 5/18 with just 16 days to go in voting!

(May. 18 3:35 PM) - In honor of this week’s US release of THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL on DVD/Blu-ray - PHANTOM 25 for short - today we are focusing on the multitude of attributes that have made Andrew Lloyd Webber’s unforgettable gothic musical the most successful entertainment of all time, now in its 25th year onstage and about to reach 10,000 performances on Broadway, where it is the reigning longest running show of all time. The gargantuan excitement generated by and the enthusiastic reception enjoyed by PHANTOM for audiences worldwide is unprecedented, yet, the new ultimate presentation of the show - PHANTOM 25 - is even more spectacular and thrilling than any iteration of PHANTOM on any stage or screen thus far. Bringing together the cast of a lifetime with the electricity of a live audience, the HD preservation of THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL is positively peerless in its sleekness, precision and polish of presentation. Never before - not even in the vaunted hands and cords of original show stars Sarah Brightman and Michael Crawford - has the show been this contemporary, sexual and hypnotizing. Ramin Karimloo as the Phantom brings a rawness and austerity to the role that commands attention and Sierra Boggess is, in a word, supreme, as the young ingénue under the Phantom’s watchful musical tutelage. So, too, does Hadley Fraser’s perfectly painted Raoul hit the right mark, as do the rest of the exceptional cast in their commitment to making clear-cut, strong and colorful impressions in their roles. The LED-enhanced set is an imaginative reworking of the designs by Maria Bjornson and the musical staging is smooth and assured thanks to original show choreographer Gillian Lynne. Yet, the star of PHANTOM 25 is, unquestionably, Andrew Lloyd Webber’s rapturous, rich and enveloping score. Bringing together an impressive and inspired assortment of genres in creating the quintessential pop opera, Lloyd Webber employs elements of grand opera, opera bouffe, operetta and musical theatre, as well as incorporates a diverse range of musical styles - even a little heavy metal guitar in the title song, as we shall see (and hear). The score of THE PHANTOM OF THE OPERA is one of Andrew Lloyd Webber’s finest achievements and stands tall alongside his other classic scores for JESUS CHRIST SUPERSTAR, EVITA, CATS, SUNSET BOULEVARD among many other international hit shows. Indeed, the story and score of THE PHANTOM OF THE OPERA is so very complex and decadent as to allow for a continuation of the story, score, characters and overall themes in the form of the new musical, LOVE NEVER DIES, which premiered in a new version in Australia last year and whose story traces the relationship of the Phantom, Christine and Raoul from the end of the original show all the way from Paris to Coney Island ten years later where PHANTASMA is the show everyone must experience thanks to a mysterious figure lurking in the shadows beyond the carousel. In today’s celebration of PHANTOM 25, we will take a look at the original music videos, the legendary Hal Prince production on Broadway and in the West End, the forthcoming LOVE NEVER DIES - coming to Fathom-equipped theaters nationwide later this month - all with a special spotlight on the most phantastic anniversary concert of all time, THE PHANTOM OF THE OPERA AT THE ROYAL ALBERT HALL.